Griz, Cuddles, and Hillary continue their fast-paced, schlocky-fun adventures. This time, we get a car chase, a depressed monster riddled with loneliness and self-doubt (poor guy!), a huge and menacing abomination with a fragile ego, and there's yet one more surprise for you in there. From all the books I'm reading right now, this title is the one I feel the creative team is having the most fun with, and their fun rubs on you. It's very trope, but you really don't need to be groundbreaking to be fun. This is the type of work that brings 'comic' to comic book. I'm looking forward to issue #3. more

This WW run has been verbose, heavy-handed, and crass. Every book has enormous amounts of overweening, superfluous monologue dumps, yet it reduces the titular character to babbling two words over and over again in virtually every scene she's in. Poor Wonder Woman! She's a lot more intelligent than she appears to be in this book. What a dreadful shipwreck this has been. Comic books are all about concision. Tell a good and fun story, failing that, a fun story, in a lean and efficient manner. This is not good, fun or concise. And yet the overall plot is not all bad. I would like to see WW and the Amazons dealing with tyrants and evil political practices. Just give it to me in a concise and elegant manner! Please, kill your darlings!


The artwork is absolutely beautiful and a perfect 10/10! At this point, just release the books without the text on them. It's not fair to bury the illustrations under such garrulous writing.
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A lukewarm start for Worlds Without End. We have the Birds running around in front a gray background for 20 pages and... Yeah, that about covers it. I get the feeling this will be one of those 6-issue plotlines that could be told in 2 or 3. We'll see. I went back and read #1 again, and that arc opening was so much better; this issue looks even worse by comparison.

After reading each issue of JSA, I would tell myself, 'Well, it certainly wasn't good, but there's a lot to juggle here, so maybe they just need more time.' Welp, that's it for me, folks. This is not good, and it won't get good. It's just one huge to-do list. Issue #6's cover summarizes this series pretty well. A bunch of guys are leaning over a table, looking at a bunch of DC characters, trying to figure out who goes where. There isn't a proper story here; it's just one long and boring inventory list. The villain is wishy-washy, and his motivations are bland. No sense of danger or drama, barely any action. Everything in these books feels like what it is: dressing for a laundry list.

The artwork is solid, and it deserved a better script. I really appreciate Mr. Johns's writing (His Geiger is one of the best things I've read in a long time), but this is a mess. On to better things! more

Mr. Johns and Mr. Frank play the tropes here like masters, and the result is an incredibly fun and engaging comic book. You have your desert, desolate world with the remnants of civilization scattered across the land. The survivors barely get by, constantly in conflict with each other and the harsh environment, the result of a nuclear war. Roaming the radioactive sands enters our hero, Geiger (with a cape and everything!), a man who doesn't consider himself a hero despite his heroics, a sure sign of a true hero. He's the silent type, because of course he is. A grim man with a heart of gold. To counterbalance our silent badass, we get Nate, The Nuclear Knight, a perfect name with a perfect sidekick quest: A bastard on a path to redemption. He won't shut up, much to the delight of the readers and the vexations of Geiger. This is the most fun interpretation of Don Quixote and Sancho Panza I've seen in comics for a long time.

This book manages to balance all its elements incredibly well, never taking itself too seriously but having just the right punch to get the drama, the action, and the humor across. Western after the bombs fell, a pinch of medieval salt, fun dialogue, and cool characters on a quest! Yup, in case you can't tell, I really like this one. Also, I can't praise the artwork enough, so I'll just say I think it's absolutely fantastic. And the cherry on the cake is that Geiger, our hero, looks just like Peter Weller of Robocop fame! What more can you ask for? Great work, guys! more

This is a review for #1 to the annual, so 9 books total. As of the time of this writing, it covers all the releases for the series thus far. There are new things and good things in this Flash run. The good things are not new. The new things are not good. I appreciate what Mr. Spurrier is trying to do, and at first glance, it looks like a great idea: Let's mess around with hard sci-fi concepts for this one! After all, the Flash family has been breaking the laws of physics more than most for decades. So how about we make the laws a little harder and with a little more consequence?

While this is a nifty concept, the result we have so far is atrocious. There are simply too many ideas thrown in the blender, and they all need lengthy explanations. Suddenly, the books grow verbose, slow, and exposition dumps become the norm. The characters turn into hideous mouthpieces. On and off it turns into a novella. Are there cool ideas in here? There are, but most of them are not actually used in the plot and are not worth the cost or the pain. They never manage to coax it into a good, entertaining story. Too often, the pages serve as a gallery of ideas the creative team probably likes and wants to use but doesn't really know how, so they don't. They just throw it in there completely raw to prove to us, the readers, they have ideas, but that's about as far as it goes. The result is a convoluted, drudging mess. I feel the editor failed the creative team and us by allowing such excess to make its way to the final product.

And then we have Mr. Deodato Jr. coming in to illustrate this mare's nest and what a blunder that is. It's not the artist's fault. Some artists are better suited to certain books. MDJ is not the guy to draw The Flash. His figures have a statuary quality to them. They're heavy, gloomy, always partially buried in darkness. Bringing that quality to a hero whose symbol is a bolt of lightning might not be the sharpest move ever made. The decision to slice full illustrations with panels is odd, unwarranted, and simply quite ugly. So, in the end, we have both the artwork and the writing being a detriment to what is trying to accomplish. It's supposed to be a hard sci-fi horror story. It has elements of both things, but it fails to be interesting or entertaining.

I gave this run more than I felt it deserved. They didn't wrap it up in the annual, so I'm firing it. I appreciate the attempt, but it simply didn't work. It's time to move on. more

Petrol Head packs a whole lot of charm, beautiful artwork, and a very enjoyable story. The first issue managed to infuse a little bit of everything, both in the characters and the world they live in, from tragedy to comedy, in a perfectly balanced mix. The result is incredibly entertaining and, God forbid, intelligent. It manages to paint a picture of the devilish ways of humanity, its stupidity and shallowness, while telling a story of sentient robots and humans living together, blissfully oppressed in an oddly endearing dystopia. What else can you ask from a comic book? more

Satan's son is dying, and now he has to choose one of his children to inherit the crown. Six pages in, we have the premise fully presented to us, and Mr. Morgenstern, one of the main characters, flashed out and was ready for action. That's good writing right there. Next, we go around town, meeting the rest of the cast in a concise and entertaining manner. The introduction for Bee, Satan's granddaughter, is really funny and effective at imparting the ominous atmosphere this family is all about. The Infernals is not my type of story, but it's impossible not to appreciate quality writing when it presents itself. The artwork matches the satanic plot and enhances the experience of going through this book. We'll see how Satan's family solves their inheritance problems. I'm sure it will all go smoothly and in a civilized manner. more

A choppy and scattered start for Man's Best, with sanctimonious and complacent dialogue coming from the humans, while the animals quarrel with each other, desperate for some characterization, and with very limited success. Then the animals go about destroying stuff they don't understand, making the dialogue at the beginning even more sour. I'm sure the plot will justify their actions but it fails to be entertaining. The artwork is OK but for a book that depends so much on cool machinery/mecha/tech designs it was lacking. The tech stuff looks uninspired and forgettable. The writing is unfortunately atrocious. I'll pass this one. more

The writing is atrocious. You follow a phone call for 40 pages, and the characterization it accomplishes by then could've been done in less than half of that space without the pain. Artwork is self-indulgent, forgoing comic book conventions to go its own way in a scraggly and unattractive manner. The plot itself doesn't seem too bad, but the dialogue smothers it in the crib.

The cover struck me as the writer and artists have a fondness for the good old schlocky comic booky fun and I was right. It’s a story that doesn’t take itself too seriously, mixing some fun modern fantasy tropes and artwork that is giving me a sense of nostalgia for something I can’t quite pin it down.

This is a fast food type of comic, fast pacing, lots of action and likable characters. Not much to think about but super fun to go through. It does a very good job at establishing its characters right off the bat with minimal text and space, something I love. It’s the sign of a good comic book right there. The plot is simple and it’s pieced together from well known tropes. Our hero, Tanner "Griz", his koala companion Cuddles and a necromancer named Hillary live in the Flooded Zone, helping people in need, facing all sorts of Lovecraftian abominations. It’s very refreshing in a way, which is weird because there’s nothing particularly new in this book. The art and the writing have an enthusiasm for the medium that is contagious and I had a lot of fun reading it. Looking forward to the second issue. more

Solid comic book. Everything is in the right place, and it runs smoothly. The team behind this one is made up of seasoned pros. It's possibly your favorite type of comic book ride—the one you went to many times before. Here's a chance to do it again. There's nothing wrong with this book, there's nothing new either, but that's not a problem. By the cover, you know what you'll get: It's going to be a three-issue battle with Wolverine and Deadpool. That's exactly what it delivers. Adam Kubert's artwork is beautiful and engaging, so it gets points for that, making it just above staple. I can't imagine anyone expecting this to be more than what it is, unless you're new to this whole comic book thing. Lots of Wolverine, lots of Deadpool. Yup. Nuff said. more

An incredibly safe start for Space Ghost. It seems like this is all Space Ghost really needs, as I've seen a lot of people go, 'Oh, look, it's Space Ghost!' and pick it up immediately. It's interesting how many people easily forget about Space Ghost and how they seem to have only fond memories of him once something jolts their memories. Don't let the 6 rating fool you. The team behind this one delivers a solid comic book experience. The artwork is good, and the writing is OK. The issue introduces our caped hero, Jan, Jace, Blip, and a small cast of familiar villains. But it is so very, very safe, with SG saving the kids in a milquetoast and unabashed, by the numbers manner. The writing goes smoothly but automatically and very much uninspired. However, this is just the first issue, maybe they're just warming up. I'll pick up the second issue and see. more

The cover made me chuckle, so I picked it up. The comedy reads pretty much like the cover looks like, so you it's hard to be accidentally frustrated or surprised by it. It delivers pretty much what it promises, but not a pinch more. The hero is very much a one-note character (not a problem, as the 1982 Conan the Barbarian movie perfectly demonstrates), giving ample space for the villain and the sidekick to shine, yet they fell short somewhat, being less entertaining than the half-cyborg host who's in for just a couple of pages at the intro. We need a smart sidekick here, a more clearheaded character to keep the toilet and schlock in check and balance things out. The #1 lacks that balance, going headstrong and too much in a single direction. The second issue is make-or-break. I guess we'll see. more